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Even poor old Gandalf, a whimsical, enigmatic presence in the book, is made to spell out exactly what he's thinking. Instead of a character revealing his motives through action, another character will explain his legendary backstory in tedious length over a largely computer-generated flashback. Every scene from the book is drawn out to three times its natural length, and many more added besides. Almost.Īt two and three quarter hours for this first of three films, The Hobbit reeks of eke. It's a curious sensation, and almost worth going to see the film for. This feeling is enhanced by all the hammy British TV actors (Ken Stott, Jimmy Nesbitt, Sylvester McCoy) dressed up in big noses and funny wigs. When there aren't special effects happening, it's so clear and smooth and bright that it's often like watching a pantomime. When everything is fake, what's the point in making it look like a documentary?
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It made me wonder why they chose a fantasy production for its big-screen debut. The Hobbit in HFR looks like you're watching a really expensive ride at somewhere like Universal Studios. It's very high resolution, and very lifelike, with almost no motion blur. But what difference does it make? What does it look like?
#48 frames per second audio dsync full#
You can see it in 2D, 3D and in certain cinemas at the full 3D High Frame Rate (HFR). The Hobbit: An Unexpected Journey, which opens in the UK on Thursday, is shot in 3D at 48 frames per second - twice the rate of normal movies.